Kuumakse al. Sony FX6 Top Plate (FX6TP)
Lightweight and robust CNC machined aluminum top plate designed to fit around the native Sony FX6 top handle. The top plate offers an array of 1/4-20 and 3/8-16 threads with Arri standard anti rotating holes, which can be used to attach options around the camera. The Sony FX6 top plate is also designed with a threaded hole to insert your FX6 sensor pin and your FX6 viewfinder cable clamp. You can also upgrade your top plate with 15CTH 15 mm lw rod clamp or FX6VF push-button view finder mount.
Revolt BP10 – VCT universal baseplate (BP10)
The REVOLT VCT Universal Baseplate (BP10) offers a unique design, created for both amateur and professional filmmakers seeking camera supports & stabilizers of high-quality. It features a front to back sliding plate allowing quick positioning of your camera accessories for an optimal adjustment of your camera’s center of gravity and weight distribution. It is designed with 2 standard Arri rosettes for handles mount and there is a standard quick release adapter plate compatible with most VCT tripod plate. There is also a protective rubber pads on top of the plate to protect your camera. Two 15 mm lightweight rod blocs can be fixed to the front and rear of the baseplate, allowing you to install more camera accessories. It comes with 2 pairs of 15 mm rods (8”and 4”) made of reliable aluminum coated with a clear finish. The safety ratchet knobs are built in a way to apply an optimal pressure to the rods. The thick shoulder pad produces maximum comfort and is made of gel padding and slip-free material. The baseplate is also designed with a sophisticated tool box to store your extra screws and Allen key. Quick access to your extra screws and Allen key can be a time saver, even more so, when you are in the middle of a shoot. The shoulder plate is equipped with 1/4-20 & 3/8-16 threaded holes allowing extra screws to be stored and there is a magnet at the back to attach your Allen key.
Double Quick Handle Arri Rosette Single (HAND2)
Left ARRI Rosettes handgrips that can be attached to cameras or camera support hardware that has standard ARRI rosettes. The arm features three points of articulation (2 Push-button, 1 ratchet knob) allowing you to adjust the arm for your comfort. The arm attach to your camera or support via an ARRI compatible rosette with spring-loaded locking levers, which allow you to lock your arms in place. The arm is also designed with (2) ¼-20 and (2) 3/8-16 threaded holes with locking attachment stoppers for additional mounting options and to strongly secure the camera accessories in position. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while a second push-button articulation joint allows you to rotate and precisely position the rubber handgrips.
FX6 Controller Top Handle (CTRLF6)
Add a variety of accessories to your camera rig with the Sony FX6 top handle controller designed with universal attachment System. The modular handle features 2 sections that can be removed or re-added to create different lengths and configurations. One of the sections is angled to create a handgrip on the end. The first section is equipped with a SHAPE Push-Button System, which allows to raise or lower the top handle in a single push. The handle is machined from anodized aluminum, and each section is lined with a smooth, wooden finger grip made from Canadian maple. Numerous 3/8″-16 ARRI-style anti-twist accessory threads line the handle, so you can add a wide variety of accessories.
FX6 Push-Button View Finder Mount (FX6FV)
The Push-Button Viewfinder Mount for Sony FX6 is designed with a 15 mm rod and 2 Push-Button for horizontal, vertical, and transversal adjustments. By simply pressing the SHAPE patented push-button, you are allowed a 360-degree rotation to place your view finder in the best position for your use. Push, adjust, release, and then it’s locked. Also, the rod clamp with ratchet knob allows you to slide the bracket for a perfect viewfinder distance adjustment.
Follow Focus Pro (FFPRO)
Manufactured in sleek black aluminum anodized, this special edition professional follow focus unit combines a sleek look with trusted engineering and a classic design. The SHAPE Follow Focus Pro is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about it letting you down.
SHAPE engineering is internationally renowned and there is one of the most robust motion picture accessories ever built. It mounts on 15 mm rods and features an adjustable arm which puts the gear at the optimal position for the lens, no matter what the diameter is. The unit snaps onto 15 mm rods, allowing for quick attachment, removal, and repositioning.
Two 0.8 pitch gears come included and give you a choice of either 28 teeth or 43 teeth – depending on the throw distance of the lens. Additional features include two adjustable hard stops, removable marking disc, and an industry standard accessory port for using optional whips and cranks. While the Follow Focus Pro contains the essentials for pulling focus on any type of project production, the choice of either 15 mm rod adaptors means that you can SHAPE the system to meet your particular requirements.
Matte Box 4×4 (MATT44)
The SHAPE 2-Stage 4 x 4″ Matte Box accepts lenses with up to a 105 mm front outside diameter. The main frame made of carbon fiber. It mounts to 15 mm LWS rods and utilizes a swing-away design, which lets you perform quick lens changes without having to remove the matte box from your rods. You can adjust the height of the matte box in relation to the rods, which comes in handy when your lens center to rod center height is slightly off from the standard.
Two rotating filter stages support the use of 4×4″ filters. The matte box comes with a top flag (eyebrow), side flags, six matte box donuts in 65, 77, 85, 88, 100 and 105 mm sizes, and (1) elastic donut. The matte box also has a rear opening of 100 mm for lenses. The included anti-reflection donuts prevent light behind the camera from reflecting off any filters in the matte box and degrading the image.
Included with the matte box are anti-reflection donuts for lenses with a front outside diameter of 65, 77, 85, 88, 100, 105 mm. The included elastic donut supports lenses with a front outside diameter between 65 and 105 mm, and it is especially useful with lenses that grow and shrink as you change focus or zoom.
The side flags incorporate a hook design as a safety feature where they attach to the matte box. This helps prevent them from falling out of the matte box should the lockdown thumbscrew loosen accidentally. The swing-away bracket incorporates a height adjustment, enabling you to compensate a total of 0.65″ vertically. This allows you to use this matte box with a variety of camera/rod support combinations that may vary slightly from the industry standard 85 mm distance from LWS rod center to lens port center
